0252 - Strengths - 2022.08.01 |
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Comment: In comics, we have something called "the 180 degree rule", a generally-accepted piece of artist wisdom saying that you're not supposed to flip the camera 180 degrees from panel to panel. Doing so, supposedly, disorients the reader. Like all such "rules" in art, the 180 degree rule isn't a barrier, or even a stop sign. It's more like a "Local Traffic Only" sign - i.e., you CAN go down this road, but, if you do, it'd better be because you have a good reason for it, and not just because you're trying to use it as a short cut. One might normally use a jarring camera flip to emphasize a difference between competing perspectives, but, if I were to do something like that, I'd actually use different characters' POVs... and I'd have half the characters firmly insisting on one position and the other half championing its inverse. As it is, these four are really just exploring the space, the theory and the orthodoxy, the feeling and the principle, the curlicues around the edges. The real challenge is the necessity of a binary distinction between person and non-person, in a world where the edges of that boundary become fuzzier and fuzzier. Who is strong? Who is smart? Who is deserving? Who has obligations? Are "natural" and "artificial" (or "human" and "AI") really opposites, or are they separate axes at right angles to each other? Are these rules hard and fast, or are they road signs we can ignore if we have a good enough reason for doing so? Is it disorienting? |
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